ANUSAPATI
Born : Surakarta, INDONESIA, Setember 1957
EDUCATION :
“ASRI” Indonesia Fine Arts College, Yogyakarta. Drs (BFA), 1983
School of Art and Design, PRATT INSTITUTE, New York, USA. MFA, 1990
SOLO EXHIBITIONS
1990 MFA Thesis Exhibition. Pratt Institute, Brooklyn, NY
1992 CEMETI Contemporary Art Gallery, Yogyakarta, Indonesia
1993 “Time is Running Out”. C-Line Gallery, Jakarta, Indonesia
1994 CEMETI Contemporary Art Gallery, Yogyakarta, Indonesia
1997 “Reconstruction”. The Kitamoto Cultural Center Gallery, Saitama, Japan
2001 “Genesis”. NADI Gallery, Jakarta, Indonesia
2002 “Conversation”. Cemeti Art House, Yogyakarta, Indonesia
2008 “The Story of Tree”. Galeri Mon Décor, Jakarta, Indonesia
SELECTED EXHIBITIONS
2009 “POLI(CHROMA)TIC”. Bentara Budaya, Yogyakarta
“The Golden Age”. Akili Art Museum, Jakarta
2008 “SCALE OF BLACK”. Valentine Willie Gallery, Singapore
2007 “BUMI” . Galeri Mon Décor, Jakarta, Indonesia
“Art-CHIPELAGO ALLERTS”. Tony Raka Gallery, Ubud, Bali, Indonesia
2005 “Arafura Craft Exchange”. Museums and Art Galleries of the Northern
Territory, Darwin, Australia.
“ASIAN POTENTIAL: Art Nursed By Sea and Islands”. Aichi Prefectural
Museum of Art, Nagoya, Japan.
“BALI BIENNALE OF CONTEMPORARY ART” Darga Gallery, Bali, Indonesia
2003 “CP Open Biennalle”. National Gallery, Jakarta
“Indonesia Art Summit”. National Gallery. Jakarta
2002 Regional Sculpture Symposium and Workshop. Plastique Kinetic Worms Gallery, Singapore
2000 Zwischen Tradition und Moderne-Junge Kunstler aus Indonesie Rautenstrauch-Joest-Museum for Anthropology, City of Cologne, Germany
“International Artist Workshop”. Curtin University Campus, Perth, Australia
“The Sculpture Survey 01”. Gomboc Galleries, Western Australia
1999 “Seni Rupa Campur”. Centrum Beeldende Kunst (CBK), Dordrecht, The Netherlands
“To Russia with Art”. Museum of Modern Art, Moscow, Russia
1997 “Modernities & Memories; Recent Works from the Islamic World”. Dolmabache Exhibition Space, Istanbul, Turkey
“Art of Indonesia”. Yamanote Gallery, Sapporo, Japan
1996 “Modernities & Memories; Recent Works from the Islamic World”. XLVII International Art Exhibition – 1997 Venice Biennale. Zenobio Institute, Venice, Italy
1995 “Orientatie”. Stadelijk Museum de Lakenhal, Leiden, The Netherlands
“The 2nd Asia-Pasific Triennale of Contemporary Art”. Queensland Art Gallery, Brisbane, Australia
1994 “Asian Modernism”. The Japan Foundation Forum, Tokyo, Japan. Metropolitan Museum of Manila, Manila, The Philipines. The National Gallery, Bangkok, Thailand. The National Gallery, Jakarta, Indonesia
“The Right To Hope – The 1st Johannesburg Biennale”. Johannesburg, South Africa
1993 “India Triennale VII”. Rabindra Bhavan Gallery, New Delhi, India
“Biennale IX Jakarta”. Taman Ismail Marzuki, Jakarta, Indonesia
WORKSHOPS / SYMPOSIA
1994 ASEAN Symposium and Workshop on Aesthetics, Manila
1996 The Second ASEAN Artists Creative Interaction, Yogyakarta
1997 “Sai No Kuni” Artist in Residence, Saitama, Japan
2001 The Second Western Australia International Artists Workshop, Walpole, Western Australia
2001 Artist in Residence, Curtin University, Perth, WA
2002 Asian Sculpture Symposium, Plastic Kinetic Worms and Nanyang Technical University, Singapore
2005 Shihmen Reservoir Driftwood Sculpture Symposium. Tao Yuen County,
Taiwan
PUBLIC COLLECTIONS
- GALERI NASIONAL INDONESIA, Jakarta, Indonesia
- SINGAPORE ART MUSEUM, Singapore
- QUEENSLAND ART GALLERY, Brisbane, Australia
- The City Government of Kitamoto-shi, Saitama-ken, Japan
- LANGGENG GALLERY, Magelang, Indonesia
- BALI PADMA HOTEL, Bali, Indonesia
- P.T CERES, Bandung, Indonesia
CV
Rabu, 26 Agustus 2009
Generation Preservation #2
Sabtu, 22 Agustus 2009
years : 1998
size : 12 x 24
collector :
Deborah Iskandar,
years : 2002
ANUSAPATI
Senin, 10 Agustus 2009
Karya-karya saya adalah ujud dari upaya perpaduan antara elemen alam dan elemen buatan manusia, sebagai representasi dari pertemuan sekaligus pertentangan antara unsur nature dan culture dalam setiap sisi kehidupan.
Adakalanya elemen-elemen itu terwujudkan dengan penggunaan material (alam dan industri), atau kadang-kadang dalam perpaduan atara elemen bentuk organik dan geometrik. Banyak karya-karya saya juga diilhami oleh benda-benda sehari-hari yang dibuat dan dipergunakan oleh masyarakat di pedesaan, karena barang-barang pakai yang pada umumnya terkesan sederhana itu dengan sangat jelas menunjukkan sikap kedekatan dan penghargaan masyarakat penggunanya terhadap alam.
Adakalanya elemen-elemen itu terwujudkan dengan penggunaan material (alam dan industri), atau kadang-kadang dalam perpaduan atara elemen bentuk organik dan geometrik. Banyak karya-karya saya juga diilhami oleh benda-benda sehari-hari yang dibuat dan dipergunakan oleh masyarakat di pedesaan, karena barang-barang pakai yang pada umumnya terkesan sederhana itu dengan sangat jelas menunjukkan sikap kedekatan dan penghargaan masyarakat penggunanya terhadap alam.
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